will be held 4 to 12 September 2010 at the Monastery of Santa Maria to sink Calow (LC), a group exhibition of sculpture entitled "The sign of the matter."
The six artists involved in this collective work with different languages, mostly different materials and different intentions. But they are all sculptors, and the profound difference between their stylistic figures, it captures an important aspect of plastic art: the infinite variety of possibilities it offers. In the past, moreover, the sculpture was primarily to accommodate the most obvious and reckless experimentation techniques: think of the first works in plastic material (polymer still unstable and destined for this deterioration) by Naum Gabo, sculpture materials recovery assembled by Picasso, to the sculptures of Michelangelo Pistoletto polystyrene.
There is no boundary to the idea of \u200b\u200bsculpture: every material can transformed into a work of art, thanks to the creative genius of those who worked. The six artists in the show are classics in their choices. Classics in the themes and philosophy of their research, although the choice of experimental materials, or classical technique, although innovative in design solutions.
And this classical background, this can be a unifying element between distant research per se, is not clear, a negative element. Indeed, the works of these artists, enhanced by the deeply evocative spaces of the Monastery of the sink, have a solemn breath, a hint archaic, that suspends in space and time without astrarle era of which are daughters.
from marble to wood, from raku pottery to iron, but also from figuration to abstraction: the sculpture is presented in its many forms, revealing the personalities of artists and telling their paths, their personalities, their thinking.
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